retail markets in association with the official release of Dylan's memoir, Chronicles, Volume 1 in 2004. A third track, " The Cuckoo", was one of six songs included on a promotional CD distributed in U.S. Two tracks from these recordings were previously released on official Dylan albums: "No More Auction Block" appeared on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 in 1991 and "Handsome Molly" appeared on the Japanese release Live 1961–2000: Thirty-Nine Years of Great Concert Performances. The full set of recordings, including 17 tracks, is usually referred to by Dylan collectors as the "Second Gaslight Tape", but some refer to the recordings as a compilation of the "Second" and "Third Gaslight Tape", believing them to be compiled from two different sets at The Gaslight (noting differences in sound quality). , and have appeared, in various forms, on several bootleg LPs and CDs and on many Dylan fan CDR projects. They made their first appearance on bootleg LPs no later than 1973 These Gaslight recordings have circulated among Dylan collectors for many years. Dylan's performances were recorded on a reel-to-reel tape recorder patched into the house PA system and operated by sound engineer Richard Alderson, who would later handle the sound for Dylan's 1966 tour. These performances occurred sometime in October 1962 at The Gaslight Cafe, self-proclaimed for hosting “the best entertainment in the Village.” The Gaslight was considered one of the premiere performance venues for the era's new wave of folk singers, serving as a springboard for Phil Ochs, Tom Paxton, Dylan and others. The performances documented on Live at The Gaslight 1962 were recorded early in Dylan's career, during the hiatus between his first and second albums, when Dylan was still virtually unknown outside Greenwich Village. The album release coincided with the release of the documentary No Direction Home: Bob Dylan (and accompanying 26-song soundtrack). Released in 2005 by Columbia Records, it was originally distributed through an exclusive 18-month deal with Starbucks, after which it was released to the general retail market. Live at The Gaslight 1962 is a live album including ten songs from early Bob Dylan performances recorded in October 1962 at The Gaslight Cafe in New York City's Greenwich Village. The circa-1920s Upper West Side taproom, with its distinctive green neon sign of an Irish harp outside, was the backdrop for a Season 2 scene where Midge Maisel and her mentor, Lenny Bruce (Luke Kirby), could commiserate about the obstacles they face as stand-up comics in the conservative 1950s.The Bootleg Series Vol. Right: Luke Kirby as Lenny Bruce Stefano Giovannini Nicole Rivelli/Amazon Prime Video Comedy albums of the period are for sale here, and there was one memorable scene where Midge’s manager, Susie, hears a record of her client doing stand-up at The Gaslight. This classic record store, which opened in 1958, has been a consistent backdrop for the series. It’s Joel’s favorite bar, and he’s got some good company here: Other productions have also filmed at Old Town Bar, including “Sex and the City,” the film “The Last Days of Disco” and Madonna’s 1993 video for “Bad Girl.” The Music Inn Joel Maisel and his friend Archie (Joel Johnstone) meet at this famous Union Square watering hole, which opened in 1892, to talk about life. Inset: Michael Zegen as Joel Maisel Stefano Giovannini Nicole Rivelli/Amazon Prime Video We did all the product signs in the window through film research.” Old Town BarĤ5 E. We moved the counters around a little bit, did some painting inside as well. Says production designer Bill Groom, “We did mostly signage. In Season 1, this longtime New York butcher shop was used as Lutzi’s, Midge Maisel’s local butcher. But in several cases, the show gets lucky and finds classic New York joints that have been there since … well, forever. Maisel” goes to great lengths to re-create old New York, changing traffic patterns and turning an East Village tattoo parlor into the club known as the Gaslight Cafe for example.
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